Kerry O'Grady
Primary Medium: Drawing
Other media: Wall drawing, Sound, Film / Video, Installation
Email: kerryogrady (at) gmail (dot) com
Artist Statement
These drawings contemplate the unfixed nature of my experience. I draw from a state of uncertainty about the relationship between self and space, between a moment of experience and the one that follows it. The origin of our awareness oscillates between the body and our vision, so our moments of perception take on discontinuities, shifts in the point of origin. These shifts unhinge moments of perception, creating fragmented narratives and giving rise to questions about the continuity within our experiences. I draw from the experience of unhinged, indeterminate, and discontinuous moments, and from the interstitial moments of perception between those that can be concretely described.
These drawings also serve as records of performance. A mark immediately becomes a trace of the past, embodying the spontaneous movement that made it. As the drawn marks allude to a once-fleeting present, the layers of marks become artifacts, interacting to evoke the unfixed and non-linear nature of time.
Other media: Wall drawing, Sound, Film / Video, Installation
Email: kerryogrady (at) gmail (dot) com
Artist Statement
These drawings contemplate the unfixed nature of my experience. I draw from a state of uncertainty about the relationship between self and space, between a moment of experience and the one that follows it. The origin of our awareness oscillates between the body and our vision, so our moments of perception take on discontinuities, shifts in the point of origin. These shifts unhinge moments of perception, creating fragmented narratives and giving rise to questions about the continuity within our experiences. I draw from the experience of unhinged, indeterminate, and discontinuous moments, and from the interstitial moments of perception between those that can be concretely described.
These drawings also serve as records of performance. A mark immediately becomes a trace of the past, embodying the spontaneous movement that made it. As the drawn marks allude to a once-fleeting present, the layers of marks become artifacts, interacting to evoke the unfixed and non-linear nature of time.
Selected Works















